Jazz Guitar Scales: ‘Horizontal’ Playing In Jazz Teaching yourself jazz guitar? See our jazz guitar book recommendations: Best Jazz Guitar Books.
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Interested in learning guitar scales? Download our printable Guitar Scales Chart Book.This gives you the opportunity to play the scales for yourself and hear how they sound, even if you don’t read music. We’ve provided tab, notation and diagrams for all of the scales. On this page, we’ll look at some of the most widely-used jazz guitar scales and explain how they are used. Although many jazz guitarists concentrate on using arpeggios rather than scales as a basis for improvisation, most will also have a large arsenal of guitar scales and licks that they can call on. Jazz guitarists improvise using many different guitar scales.
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What are some of your favorite ways to use the Dorian scale? Share your thoughts in the comment section below.This page contains jazz scales guitar notation with tab, diagrams and information on how to use scales in jazz improvisation. Try seeing what other 3 note per string patterns you can come up with in diffrent parts of the neck using dorian licks and patterns.Īlthough I have only really touched upon the possibilities of the Dorian scale, I hope these licks help you unleash some familiar musical sounds.īesides just thinking about scale based language, there are many triads and arpeggios found within the Dorian that I highly recommend you to explore in the practice room. 3 note per string patterns always sound great with triplets, and the rhythms in bar 2 make a nice contrast and give the lick a solid finish. To finish this set of dorian licks off, here’s a 3 note per string triplet based lick starting on the root. Though this lick may look fearsome on the notation, note that the top note is just descending by a tone each time and that you can play the lick without moving your left hand position. When learning any new scale, or arpeggio different rhythms should be practiced and this lick demonstrates using 16 th notes and a pedal note which in this case is F. Note that this lick uses the same notes as Dorian Licks example 3. Starting on the and of 1 gives this lick a nice flowing and syncopated feel. This line starts with a common intervallic pattern used to start many jazz lines, like on this ii-V-I bebop video lick lesson, so it is therefore an important piece of language to get underneath your fingers. Because this lick uses similar interval and rhythmic patterns, it is quite easy to adapt on the fly, either by starting on different beats or by making the lick longer. In most musical situations there is only a couple of bars of a chord and rarley time to play an entire scale, so this small 5 note dorian licks pattern can be very effective in performance situations.ĭeveloping a rhythmic motific within a solo is a great soloing technique, and Dorian Licks example 2 shows how this can be done by using common rhythmic pattern with notes from the Dorian scale in a way which was freqeuntly used by Wes Montgomery. Note that after the line goes to the 5th note of the scale (A), it then just goes back down the pattern again and finishes on the root. To start things off here’s a nice ‘bouncy’ sounding line that uses the first 5 notes of the Dorian scale D, E, F, G, and A. If you don’t know what a Dorian scale is, visit my jazz guitar scales guide article for a detailed explanation of the scale. Remember that any of the licks from this lesson can also be applied over different chord types and will work esepcially well over dominant 7th chords too. A great Dorian tune to start applying these licks to is the Miles Davis classic ‘So What’ because there is a lot of time on only two Dorian chords.
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Knowing how to play a scale and not knowing how to use it it in a musical setting makes the scale redundant, so in today’s lesson I will teach you some cool ways that you can use the Dorian scale in practical music settings by showing you 5 of my favorite Dorian licks.Įach one of these licks should be explored over a static minor 7 th chord situation first before applying them over full standards. No doubt about it, every guitarist needs to know their scales inside out, but quite often I teach guitarists who know a bunch of scales but don’t know how to use them in a musical setting. Dorian licks are a common part of developing jazz language and therefore a big part of learning how to improvise in a jazz setting.
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